Category Archives: For Writers

Writing for the Children’s Magazine Market

Four years ago, I attended the Chautauqua Institute sponsored by the Highlights Foundation with the intent on learning about the children’s magazine market.  Lucky for me at the first dinner, Kent Brown of Highlights seated me next to the editor of Cobblestone’s nonfiction magazines – Appleseeds, Faces, Cobblestone, Calliope, Odyssey, Dig and Muse.  Each magazine has a different focus from American history to science to geography and culture.  Each magazine also has a specific theme.  I’ve had articles published about the dog’s unique sense of smell, monster snakes, big trees, unsolved mysteries, places in peril, the Library of Congress – to name a few.

I’m always anxious to see the theme list for the upcoming year and what topics excite me.  Then I try to think about what a child would want to know and look for a unique angle.  I suggested the ABCs of the LOC (Library of Congress) and it was accepted.ABC of LOCWhen I submit a query to the editor for that issue’s theme, I send an outline, bibliography and suggested article length.  Because I enjoy photography, I always try to include pictures that I’ve taken for a  photo essay.  Honestly, magazines pay more for photos than for words and neither pays well so it’s really an exercise in writing and impacting kids with great information.

rainforest issueYou can imagine how thrilled I was when Appleseeds announced an issue dedicated to the rain forest theme.  After all, whose family had taken a vacation to the Amazon rain forest?  Mine!  So it was time to dig out those old slides (way before digital images), journal entries and nature books and reaquaint myself with the 3-toed sloth, 110% humidity, adventures like piranha fishing and canoeing in a dugout.  The result was a four-page spread including 18 images in the January 2012 issue.  I had to convert my slides into jpegs and convince my now adult daughters that it was OK for the world to see them as pre-teens “roughing it” in the Amazon.  A year later, I received a big surprise.  McGraw Hill sent me a contract  requesting the use of my images for their PARCC testing.  I hold the copyright on the photos (magazine owns the words) so now thousands of kids will be reading about my family’s adventure.   My check was more than I’ve made on all my published articles  – a nice perk of magazine writing.

The JulyAugust 2014 issue of Appleseeds has a desert theme and I took on a new role as contributing editor for the issue.  It was a great learning experience to work with the editor and help choose the articles, check them for accuracy and involve a class at Laveen Elementary as the AppleCorps kids.  In the issue, you’ll find three of my articles including a photo essay on the Prickly Pear Harvest.

Other children’s magazines including Highlights for Kids do not have themed issues so writers can submit articles that fit their guidelines and philosophy.  If the editor shows an interest in my article (as in not a flat rejection), I will rewrite and revise to suit them.  Highlights  recently purchased an article on George Washington’s Christmas camel (George’s Christmas Surprise) and a photo essay on mushroom hunting in Slovakia (from a trip I took several years ago) for their world culture feature.  Just remember that writing for children is not simple.  It’s often more difficult to write for kids than adults!

Check out the website for Highlights  guidelines.  https://www.highlights.com/contributor-guidelines

For the Cobblestone magazines (fiction & nonfiction magazines)  http://www.cricketmag.com/6-Submission-Guidelines

Here’s my TOP TEN OF WHAT I LEARNED ABOUT WRITING FOR CHILDREN’S MAGAZINES.  I hope it helps you get published!

  1. Write in the present tense.  Fiction for younger audiences works best in present tense so the reader can fit into the story.  Switching tenses may confuse the reader.
  2. Look for the UNUSUAL slant on a usual topic.  Take a different approach.  Be fresh and original.
  3. There is a story line in non-fiction with drama, action and conflict. Facts will appear naturally and everything that does not support the story line is left out.  Those facts can become sidebars or back matter.  Setting is true to research.
  4. Get to know your audience.  Kids today are different than when we grew up.  Be an observer.  Listen to their language.  Read the “Dear Editor” and reader submissions in children’s magazines.
  5. Choose a story that you are passionate about so that you can find your voice.  Give yourself permission to let go of the story that is within you.
  6. Tell me something that I don’t know.  Seek out elusive details when doing your research.  Get personal when researching for a biography.  Look for uniqueness and anecdotes.  Research is key.
  7. There are limits of space.  Everything in a good piece of writing must be CHOSEN into it.
  8. Put kids into the mix with either real or historical characters.
  9. Study magazines, at least a year’s worth, and editorial needs.  Analyze the content.  Obtain write’s guidelines online.  Create a drawer of magazines so you are ready to send your story to the proper magazine.
  10. Most magazine editors welcome new writers because of their new ideas, voices and passion.

 

In search of story – Scotland

When Ed and I visited Scotland, we took a side trip from the incredible golf courses and journeyed to Wigtown in the far southwest corner of the country.  Wigtown is Scotland’s National Book Town. scotland 2009-187 Our adventures in Wigtown involved hours rummaging through used book stores in search of golf books for Ed, material for Katie’s English lit thesis and folktales for me.  I did find a surprise – a Happy Hollisters book just like the ones I received  when I was a member of the Book of the Month club as a child.

I always do my homework before I travel and look for any story ideas as I peruse through travel books.  Just a mile down the road from Wigtown is the village where a Scottish folktale, the Brownie of Bladnoch, takes place.  The Brownie of Bladnoch originated as a poem written by William Nicholdson in 1825 and is considered to be “the greatest piece of vernacular literature that Galloway has ever produced.”  Too bad no one that I spoke to remembered the story unless they recently visited the Bladnoch distillery where a diorama featuring the grotesque brownie enlightens scotch drinkers.  Too much scotch and they wouldn’t remember it for long!

So I hit the trail in search of material to help me in retelling this folktale.  I scoured books in the St. Andrews library and learned that the hump-backed, toe-less brownie of Bladnoch may actually have suffered from leprosy which explains his unsightly looks.  Not suitable information for kids but I found it interesting.   I toured the Fife Folk Museum in Ceres.  There I discovered that bannock or oat pancake is cooked on a girdle – not a griddle and that belted cows sleep in a byre.  Scottish culture is filled with fairy folk including helpful little brownies and the Brownie Girl Scouts are named after them.

I think this is a great story for kids and that’s where the problem lies. I’m a writer of nonfiction and the concept of story arcs, character development and dialogue are foreign to me.  But I’m not giving up.  I’ve written and rewritten, had it critiqued and rewrote it again.  So now it’s just the hunt of finding the right publisher.  And my visit to the American Library Association conference may have uncovered the one.  I’ll keep you posted.

A trip into Edinburgh meant a visit to museums including the Writer’s Museum.  I also stumbled upon an interesting exhibit on children at work.  Imagine being hired as a bird scarer!  All the images, sounds, information, smells, and tastes  (yes, I did drink scotch and tasted a morsel of haggis but couldn’t wrap my mind around eating something containing sheep’s pluck!) are tucked away for that future story, magazine article or book.  That’s the fun of being a writer – I’m always looking for story!scotland 2009-202